SO YOU DECIDED TO GIVE A HITCHHIKER A RIDE AND INSTEAD IT COST YOU SERIOUS CRIMINAL CHARGES.....THIS PUTTING YOU OUT OF WORK AND JEOPARDIZING YOUR COMMERCIAL DRIVERS LICENSE. JAMES S. BEACHAM LAW IS THE ATTORNEY THAT WALKS WITH YOU STEP BY STEP UNLIKE THE HUGE IMPERSONAL LAW FIRM. BEACHAM LAW LITIGATION PROCESS IN MOST CASES NEVER REACHES THE JUDGES BENCH.
CRIMINAL CASES:
I also defend clients
that are charged with a Criminal case in and around Houston, Austin and Dallas
which includes Harris, Galveston, Brazoria, Montgomery, Fort Bend, Travis,
Williamson, Waller and Walker Counties just to list a few. I will also travel
to other parts of Texas to handle a Criminal case for a CDL holder. If you have
been accused of a Criminal charge, I can help you.

Public Information Inquiry
HITCHHIKER CONSIDERED ARM AND DANGEROUS TREAT AS HOSTILE USE PRECAUTIONS |
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| CHARGES FOUND =0 |
| F E D E R A L H O L D I N G P R I S O N E R |
| NAME | CARJACKER, ANGELINA | SPN | 10862426 | DOB | 03/22/1968 |
| JAIL | JA09/3F2 05B | BOOKING DATE | 01/11/2008 | ||
| UP DATE | na | OUT DATE | na | ||
| If the up date is the same as the out date, payment of the fine amount is not required to release the inmate from custody on that case. |
| CASE # | 113289201010 | BOOKING DATE | 01/11/2008 |
| CHARGE | TAMPER GOVT RECORD, INTERNATIONAL SPY, RICO ACT, CATTLE RUSTLING | ||
| COURT | SPECIAL | COURT DATE | FEDERAL HOLD |
| BOND AMT | NO BOND | FINE BALANCE DUE | NA |
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These are considered a moving violation by the Texas Department of Public Safety (DPS) and they can have an effect on whether or not you keep your commercial driver license, job and livelihood.
PHOTOGRAPHING A VEHICLE ACCIDENT
The Daylight Accident Scene
Lenses to use: 35mm to 85mm zoom, or 50mm (normal) and
35mm wide-angle.
The 35mm lens is used for overall views and expansive scenes involving multiple vehicles and when confined to short working distances.
The 50mm lens is ideal for average viewing distances, for individual vehicles and scenes and when sufficient working distance is possible.
Use an 85mm or longer lens when isolated views of distant items are needed.
Use "Macro" focusing (if available) for close-up photographs.
Always use a lenshade to avoid the effects of flare!!
Film to use: For Color Prints: ISO 100 speed color negative film.
Black and White: ISO 400 speed film
Color Slides: ISO 400 speed color slide film.
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Typical Exposures: (with ISO 400 speed film) Bright sunlight (10:00 a.m. to 3:00 p.m. 1/250 @ f/16 Cloudy, bright conditions: 1/125 @ f/11 Overcast and dark condition: 1/125 @ f/5.6 Sunrise and sunset (long shadows) 1/125 @ f/8 |
Use fill-in flash when dark shadow areas must be documented: interiors of vehicles, trunk, glove and engine compartments, underside of vehicles, etc. Expose for the existing light and add the proper amount of flash fill. Be sure to use a shutter speed that allows for flash synchronization!! (Normally around 1/60)
PHOTOGRAPHING A VEHICLE ACCIDENT
The Nighttime Accident Scene
Exposing for the night-time scene:
A manual exposure method, using the flash at full output is desirable with nigh-time scenes.
NOTE: A single layer of white handkerchief or folded Kleenex can reduce the flash output to half power (for closer distances). Double it and it will reduce it to ¼ power.
Camera and lenses: use a 35mm SLR camera, with a 35mm to 85mm zoom lens, or a selection of lenses (35mm, 50mm, 85mm).
Film to use: ISO 400 speed film is preferable for nighttime photography with flash.
Auto-flash systems tend to "read" the expansive empty areas of outdoor scenes and produce overexposed results. Overcome this by using a ½ to 1 stop smaller setting on the camera. For proper exposure, use the maximum output setting for the flash unit and f/stop setting in the f/5.6 to f/8 range.
TIPS: A pocket flashlight is useful when making camera settings. It can also be used as a focusing target when placed within the scene. Focus on objects that are 1/3 into the depth of the scene.
Existing light photographs can be made using a tripods and cable release. Typical exposures with streetlights and highway range from one to eight seconds using f/11 (ISO 400 speed film). Additional lighting can be provided by the headlamps from police vehicles. If a tripod is not available, rest the camera on a steady support surface and try ¼ second with the lens wide open (f/2 or f/2.8). With careful focusing, this often produces acceptable results.
With multiple flash firings, painting with light can be done when multiple vehicles are located over and expansive area.
MAKE THE SAME PHOTOGRAPHS LISTED FOR DAYLIGHT SCENES



Law Office of James S. Beacham
P.O. Box 750393
Houston, Texas 77275-0393
Phone: (281) 734-1680
Fax: (281) 464-3438
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